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A VOICE IN THE ATTIC
There was an old farmhouse that, until it was torn down a
few years ago, stood in the middle of a three-acre plot of
land in Afton, Wyoming. At the time, the land belonged to
my wife's grandparents, who had purchased the otherwise
barren expanse in the spring of 1982 with the intent of
building a home on the northwest edge of the property
closest to the main road. The home was built, the perimeter
fenced, and the rest of the land kept for the horses they
owned. After toying with the idea of renovating the sixty-
year-old farmhouse and turning it into a guest cottage,
they decided against it and now only used it for additional
storage space.
In the summer of 1997, my wife and I
received an invitation from her grandparents to spend a few
days at their home, and so we packed our overnight bags and
made the three-hour drive from our home in Utah, looking
forward to a weekend spent taking in the rustic scenery and
relaxing.
For the record, I have always had a fascination with the
paranormal, but my interests have been rooted in its more
mundane aspects: horror movies, scary novels, and the
occasional worthwhile TV documentary. My wife Jane, on the
other hand, has always been a more willing participant in
the pursuit of such topics and, as a result of her forays
into the world of "ghost hunting", boasts a collection of
self-taken spirit photographs to complement her library
archives of EVP (Electronic Voice Phenomenon) audio
recordings. The phenomena of ghost photography--a pursuit
that's been around since the invention of the camera itself-
-is something that, to my practical and reasoning mind, can
often be dismissed as nothing more than double-exposure,
the reflection of light, or water spots on a camera lens.
What really captured my imagination, however, were the
audio recordings. Some of the anomalies that I have heard
on these tapes could easily be written off using more
earthbound than otherworldly explanations, yet there are
some that even a rational mind must admit are beyond the
scope of common experience and understanding. In any case,
beyond having heard or read about such occurrences, I had
never had a personal experience with the paranormal. Not
until the weekend that we spent at my wife's grandparents'
home, in July of 1997.
We arrived in Afton late on a Friday evening, and after a
few cups of coffee and conversation with the grandparents,
we decided to turn in. Laying awake in bed talking, not
quite able to sleep just yet, our conversation turned to
the old farmhouse that stood about fifty yards off the
south side of the house. This was my first visit here, and
I was as much enticed by the farmhouse's seemingly ancient,
decrepit beauty as I was impressed by its subtle yet
unmistakable air of foreboding. I mentioned to Jane how
creepy it had looked to me under the light of the full moon
as we approached the house, and how perfect a setting it
seemed for the types of hauntings I was ever so fond of
reading about on dark wintry nights. I asked her what it
was like inside. She responded by telling me she didn't
know, she had never been inside. I found this strange, what
with my wife's seemingly voracious appetite for all things
frightening, not to mention the inner fortitude she'd
always displayed in braving cemeteries at night armed only
with flashlight, tape recorder, and loaded Nikon. Her
answer was simple: "Grandpa's never let me inside. He's
afraid the roof might cave in on me." With that, my
curiosity was assuaged. But at breakfast the next morning,
the germ of a notion that I'd planted in her head was alive
and kicking and she broached the subject with her
grandfather.
"It's a dangerous place, there's bats in the attic and I
don't want you poking around in there," was all he would
say when asked about it, attempting to turn the
conversation from the subject at hand by asking if we
wanted to ride the horses after breakfast. You have to know
my wife the way I know her to understand that this would
not satiate her curiosity, and you also have to know how
persistent she can be to understand my mild shock when she
simply let the subject lie.
An hour after breakfast, strolling out toward the horse
stable for a midmorning ride, she turned to me with a
mischievous gleam and informed me that we would
be "investigating the old farmhouse" just as soon as
Grandpa headed into town for groceries. I took this about
as well as someone who's been informed of impending oral
surgery, but I also knew better than to resist her will or
let her go alone. The last thing I wanted on this quiet
weekend was an upset wife or--far less--an injured one, so
I acquiesced.
The sun was straight overhead and beating down hot as we
approached the doorway of the old farmhouse with nothing
but our wits in tow. I hesitated at the entrance, casting a
glance over my shoulder to ensure no lectures about
venturing into unsound structures would be delivered over
dinner that night, but Jane walked straight in like a woman
with a mission. I followed her inside, nearly tripping over
a horse saddle that had been left just inside the doorway.
The doorless entryway opened up to a fairly large room
crowded with old cardboard boxes, and a large worktable
stacked with bridles and old horse saddles. To the right,
there was yet another doorway that led into a much smaller
room (a bedroom, I supposed). The way into this room was
made impenetrable by more stacks of boxes and crates. Off
to the left, I saw an even smaller doorway that exposed a
rickety flight of stairs leading, presumably, to the attic
above.
The interior was fairly well-lit by the large cracked
picture window that had at some point (and for reasons I
never discovered) been painted over but was now badly
peeling. The first thing I noticed was how the previous
occupants had apparently plastered draft-holes in the walls
with what appeared to be old newspaper. Closer inspection
proved my initial assumption to be true, and I discovered
the dates on the newspapers went as far back as the early
1930s.
Jane, now also having discovered the aged newspaper that
crammed the draft-holes in the walls, was attempting to
flatten out a large torn portion of a strip of newspaper
that announced the destruction of the Hindenburg in
Lakehurst in 1937. She called me over and we stood there
marveling at it. I was mid-sentence, decrying the use of
such a historical headline as hole-fodder, when we heard
the thump overhead. In retrospect I wish we'd had a video-
camera to record my reaction to this sound, because I
nearly jumped out of my skin and my motions, although
betrayed by my desire to remain cool in the situation,
displayed a willingness to race headlong out the entryway
of that place. But my legs and feet, loyal to my inner
workings, took only a single step before falling into
compliance.
Heads now turned upward to the blackened wood overhead, I
started to mutter "Did you hear that" when Jane cut me off
with a swatting of her arm and a sharp "Shhhhh!" Dead
silence ensued for the next thirty seconds as we stood
there, frozen, until I finally spoke again in a
whisper. "Could be the bats your grandfather warned us
about, let's go." But she would not be moved, her will
would not be shaken. I was about to fire off some crack
about the woes of having a ghostbuster for a wife when it
came again, this time more distinct, not directly overhead
but further toward the back of the structure, as of
something in the far corner of the attic above our heads.
Bats fly, I thought to myself, they don't walk and they
certainly don't lay heavy footfalls in their wake.
Immediately our heads turned toward the doorway to our
left, the doorway leading to the short flight of steps into
the attic. I asked her if she thought it could be a cat, or
a bat finally given up the ghost of hanging upside down
from a rafter in 100 degree temperature, but the silence of
her response only served to shake me up all the more when
it came a third time, actually loosening dirt from the
rafters and punctuated by what I can only describe as a
dragging shuffle on the floorboards overhead.
That was enough for me. I took hold of Jane's arm and gave
a firm tug. "Let's go." But I know my wife, and I ought to
have known better than that. Eyes still fixed on the first
three steps leading up to the attic, head cocked sideways
in an almost comical manner straining to hear, she
whispered: "It sounds like there's someone up there."
Now, I don't know about most people, but I don't do well
with declarations such as those, under circumstances such
as these. Anything bearing an even remote similarity to the
typical fright-fest dialogue of "They're coming to get you"
or (heaven forbid) "They're here" and I'm a running fool
with feet flying out ahead of me like a leaper over hot
coals. But I suppose that I would willingly trade bearing
sole witness to any of those proclamations in exchange for
what we heard next, which is something that my rational
mind still grapples with, something that if I live to be
100 I will never, ever forget. The voice was soft, and low,
muffled by the rafters and the overhead floorboards that
separated us from the attic, and it called the
words: "David, is that you?"
One moment we were in that dark, stuffy farmhouse, the next
we were out in the bright sunlight with the breeze blowing
in our faces as we stepped lively through the tall grass
back toward the main house. It was that quick, that
synchronous. At a moment when I must have realized that
whatever courage I had would hold up no further and decided
it was better to run than stand, Jane had also reached her
threshold of tolerance and we both got the hell out of
there. One very important fact--and I state this for the
record--my name is not David, nor is her grandfather named
David, nor do either of us know anyone by that name;
strange as it may seem, the name being such a common one.
What's even stranger is that you might think, once away
from whatever danger we may have been in or imagined we
were in, within the safety of sunlight and the
dependabilities of the concrete world, we would have felt a
rush of exhilaration or adrenaline--but it was quite the
opposite. You'd think that we would have found ourselves a
safe space somewhere and sat talking about what we had
heard, or what we thought we had heard, but we didn't. We
simply turned heels quickly, left, and not another mention
of the experience was had that day until we found ourselves
in bed again late that night, unable to sleep and unable to
forget.
She brought up the topic gently, almost as if expecting me
to stammer out a request to close the subject and leave it
that way, but I found that once removed from the situation
I was able to confront it with a little more ease. I told
her what I thought I'd heard, and danced around a million
different possible explanations for what it could have been-
-everything from fillings in our teeth picking up a nearby
radio station, to an old phonograph player that could have
been stored up there and could have fallen over after fifty
years and scratched out a snippet of song whose lyrics we
mistakenly took to be some ghostly voice from beyond. I
figured it was much easier to believe either of those
scenarios than to consider any otherworldly possibility,
but the explanation that occurred to Jane as we lay there
in bed, sleepless, was a bit more frightening than
any. "Maybe there's someone living up there that my
grandparents don't know about," she said, and a look of
startled concern came over her face.
The idea sent shivers up and down my spine, offering up
images of escaped mental patients creeping onto
unsuspecting people's properties in the dead of night clad
in flowing hospital gowns, and it alarmed me to the point
where I actually got out of bed, stood at the window
looking out onto the property offering a clear view of the
moonwashed farmhouse, and actually considered either going
out there with a baseball bat in hand or calling the local
police to check it out. But we could have been mistaken in
what we heard, there could have been a rational
explanation, and the last thing I wanted to do (apart from
admitting to her grandfather that we had betrayed his
wishes to keep out) was call the police to investigate the
overactive imaginings of a young married couple. They'd
probably ask us to provide urine samples for our troubles,
and that was one place I didn't want to go.
So we determined that at daybreak, we would go out to
investigate yet again. This time as we approached the
farmhouse--not having mentioned our concerns to her
grandparents for fear of causing probable undue worry--I
was armed with a short-handled shovel I'd found lying on
the grass and Jane, not entirely convinced the sounds had
come from any earthly emanations, with a long-handled
flashlight and the mini-cassette recorder she rarely left
home without.
Our second entrance in as many days through the doorway of
the farmhouse proved to be a lot more ordinary than my
imagination had fancied it might be, and the notion that
someone may have actually taken up residence in that
ramshackle pile of sticks was quickly put to rest on second
look at the conditions of the old house, and the likeliness
that anyone attempting to climb up the flight of stairs
leading to the attic would most likely crash through the
rotted wood and break a leg, or worse. We stood listening
in silence for what seemed like an eternity but what was
most likely a few minutes. Nothing, no sounds except for
the occasional crack of the old blackened wood settling. We
decided that since we had come this far, we were damned if
we were going to leave without a good and thorough search
and so we set about the task of figuring out a way to
ascend the steps leading to the attic.
I'd spotted a fairly fresh plank of wood about six feet
long, two feet wide, and three inches thick, lying in the
yard of the farmhouse as we approached, so I came up with
the idea that perhaps we could lay the plank lengthwise
across the top of the steps and crawl our way up. Jane's
first attempt at laying any weight on the board caused a
groan of the old woodwork underneath so severe that I
insisted on attempting to reinforce it from below with
several odd-length two-by-fours I'd also spotted in the
yard outside. (We worked quietly in the light of early
dawn, aware that to be caught rooting around like children
in the old farmhouse against her grandfather's wishes would
earn us a severe talking-to.)
Finally, after about half an hour, we had constructed our
ascension ramp and, after another five minutes quietly
arguing over who should be the first to go, I was shuffling
up the length of the plank on my hands and knees, shovel at
the ready. Jane's insistence that she should be the first
to go was quietly overruled by my proclamations that if
there actually were some crazy person living in the attic,
the person with a weapon of defense ought to be the first
to check it out. She finally consented--grudgingly so, for
I have married a woman with the courage of two men--and
with only a fleeting hesitation I was up and on my way.
By this time the sun had emerged and the sunlight cast
through the holes in the roof was good enough so that I
could see everything before me. As I stood on the
floorboards of the attic, determining if they were in well
enough shape to sustain my body weight, I scanned the large
area before me, shovel at the ready, probably looking like
some deranged baseball player or a character in an old Sam
Raimi flick. Strange how the fear which had gripped me the
day before had now been swept away, and in its place
something much stronger, borne most likely from the
instinct to fight rather than flee, or the inexplicable
instinct of territoriality over a place I'd never even been
before.
When I look back on it I honestly don't know what I was
expecting to see up there in the attic--but whatever it may
have been, whether flesh and bone or otherwise, there was
nothing to be found. Only the time-ravaged, weather-worn
leftovers of the previous tenants' storage, which amounted
to nothing more than a severely rusted bedspring, an
equally old mattress leaning askew against the near wall, a
scattering of empty crates, and a decrepit rocking chair
that sat in the farthest corner of the attic facing the
wall.
I stood there staring at the back of that chair until
Jane's voice, directly behind me, startled me out of my
daze. "So much for your phonograph theory." I turned around
to find that as I'd stood there taking an inventory of the
space before me, she had made her way up the plank and into
the attic with me. She was aiming the beam of her
flashlight and scanning every inch of the attic space
before us. I followed its movements and acknowledged the
absence of any overturned phonograph player I dreamt may
have been responsible for what we'd heard.
"So much for our stranger in the attic theory," I added,
motioning to the inch-thick layer of dust that covered
every visible square foot of the floorboards. If anyone had
been in the attic, it was a long, long time before we had
ever arrived. I'm not sure how long we stood there, but it
was long enough for the two of us to determine that our
notions (my notions) of homeless squatters or escaped
mental patients seeking shelter--or bats, for that matter--
were completely unfounded.
As we turned to begin our descent back down our makeshift
ramp, Jane stopped and fished a blank cassette out of her
pocket and inserted it into the recorder. I said something
like "Hey, don't bother, we're leaving" but she informed me
that she was going to leave the micro-cassette behind in
RECORD mode. She set it down on one of the floorboards just
inside the attic entryway. "Just to satisfy my curiosity,"
she said. And we left.
We never did fess up to what we had been up to that day, or
the day previous, when having dinner with Jane's
grandparents later that evening. Nor did we tell them about
the sounds we'd heard, or the voice we thought we had
heard. We were set to head back home early the following
morning and we both agreed it was far better to exchange
pleasantries on the final evening of our visit rather than
to choke the air with questions about previous tenants, the
history of the land, or the possibility of spirits that
linger after death. According to Jane, things like that
didn't go over too well with her grandfather, who was, she
said--in his youth as well as in all the time that she had
known him--more practical-minded and rational than I ever
was. Coming from Jane, I took this as a compliment.
We realized that in order to retrieve the cassette recorder
Jane had left behind, we would not only have to brave the
rickety ramp of our invention once again, but we'd also
have to make it out there early enough so that her
grandparents wouldn't see us. We also decided that it would
be best to take apart the makeshift ramp, lest proof of our
actions be discovered. So we resolved to wake up half an
hour before dawn and sneak out to the old farmhouse one
last time.
When we got there, this time stepping our way through the
dark with the aid of Jane's flashlight, everything was just
as we'd left it. No signs of any ghostly disturbance, no
violently overturned boxes, no footprints in the dust other
than those we'd created ourselves. I cautiously but
hurriedly crawled my way up the wooden plank, reached a
hand into the darkness, and retrieved the cassette recorder
which was in the exact place Jane had left it the day
before. We quietly removed the reinforcement two-by-fours
and set them on the wooden floor in a neat pile, followed
by the six-foot plank itself, which came easily enough and
which we leaned against the inside wall.
I was just setting about the task of patting the dust and
dirt from my pants legs when it came again. The same
sudden, sharp thump that we had heard two days prior. My
first thought was that Jane must have heard something
moving up there before the thump sounded, because when I
looked at her, her head was already turned upwards and her
eyes were fixed on the attic entrance directly above us. My
eyes followed her stare and I looked up, but there was
nothing discernible in the darkness beyond the threshold.
This time it was Jane's turn to speak first, and she began
to ask me if I'd heard it too but her words broke off when
another thud, this time more jarring than the first, almost
violent in its force, sent a fistful of dust shooting from
the rafters. The horrible, sickening shuffling sound came
next, and the image that entered my mind then was that of
someone, or something, dragging itself across the floor
almost directly over our heads, approaching the attic entry.
This time there was no resistance, no arguments to be put
up against turning tail and leaving that place behind us
for good. In an instant the two of us were stumbling
through the dark toward the front entrance and within five
seconds we were back out into the cool predawn air. But in
the cage of memory, instants can sometimes stretch the
length of an eternity, and impressions can sometimes last a
lifetime--for as we passed through the doorway of the old
farmhouse for the last time, we heard the voice again, this
time much closer, coming from atop the attic stairs where
we had stood only seconds ago, this time much clearer--
raspy, nearly gravelly, calling after us. And the words it
said were "David... I saw you!"
In the time it took to clear half the distance between the
old farmhouse and the grandparents' home--a mere fifty
yards--I had managed to regain most of my composure and had
slowed my trot to a brisk walk, though still casting
furtive glances over my shoulder, ensuring my rational self
that all was good, all was well in the world, and that
nothing had taken up chase. Crazy thought, I know, but it
was one that occurred to me and I wouldn't be surprised if
it had occurred to Jane as well, despite her outward calm
demeanor.
Jane had stopped about ten feet short of her grandparents'
back porch and was studying the micro-cassette recorder
closely. "It was turned off," she said, "halfway through
the tape. As if someone shut it off on purpose." I tried to
reason that maybe the batteries had run out, but she
quickly dispelled that notion when she pressed the REWIND
button and it kicked immediately into life. It only took a
few seconds for the tape to reach the start of the spool,
and just as she was about to press the PLAY button, the
back door of her grandparents' home swung open and Grandma
Perkins was standing there in her morning robe.
"What are you two doing up so early?" she asked.
"Just saying goodbye to the horses," Jane replied in a calm
fashion, and within seconds we were back inside the house
where the smell of brewing coffee awaited us.
It wasn't until we had packed our bags, said our farewells,
and hit the road once again--all the while eyeing the old
farmhouse as we made our way down the long gravel driveway
headed for the main road--that we were finally alone and
able to listen to what it was that may have been recorded.
I wasn't certain that anything would have come through on
the tape, but I wanted to be able to listen without having
to strain to hear over sound of the engine so as soon as
we'd gone about a mile, I pulled the car off to the side of
the road under the shade of a tree and shut the engine off.
The first sound head on the tape were Jane's own words
("Just to satisfy my curiosity"), then the creaking and
groaning of the floorboards and the racket of our footfalls
as we made our way down the plank and exited the farmhouse.
Five minutes of silence ensued, only the occasional sound
of the old structure settling in on itself, then another
five or six minutes, the rumble of a truck driving by in
the distance, then more silence. Just as the tape was about
to reach the point where it had mysteriously stopped on
itself, I heard something.
On first impression it sounded
like someone breathing in short, shallow breaths. I was
opening my mouth to tell Jane to stop the tape, rewind it,
I may have heard something, when I realized the sound was
only getting louder.
I could tell by the expression on Jane's face that I was
not, in fact, hearing things. She was hearing it too. What
came next, though, sent shivers down my spine and made the
sounds we'd heard in the farmhouse--frightening and
inexplicable though they were--seem like nothing more than
a precursor. The breaths seemed to be getting louder, and
although no sound of movement could be heard, I got the
distinct impression that something was drawing nearer to
the microphone. It frightened me to the core to think that
the very cassette recorder Jane now held in trembling hands
could have come so close to, or may even have been touched
by, whatever it was that was causing that horrible sound.
The breathing faded, almost abruptly, followed by
approximately ten seconds of absolute silence (not even the
sound of the wood settling or a car driving by in the
distance). Then the singing began. It was quite
unmistakably, and most distinctly, the voice of an old
woman--perhaps in her eighties, perhaps older--and although
I could not make out the words, she was singing something.
A lullabye, perhaps? To this day I am not sure, even though
we've listened to the tape hundreds of times since and have
tried amplifying the sound through various means. It is
certainly not a melody I, or Jane, or anyone else we've
shared the recording with, are familiar with, but by the
very nature of its ambiguity, it has become an oft-
controversial conversation piece among friends with similar
interests.
But it isn't that horrible breathing or the faint yet
undeniable strain of song delivered by that mysterious
voice that still, to this day, years after the experience,
years after the old farmhouse was finally torn down, years
after the grandparents sold the property and moved away,
haunts my mind in the quiet dark before sleep overtakes me.
Rather, it is the final two seconds of that recording that
will always stay with me, and will always serve as proof to
my mind that despite our best efforts to argue to the
contrary, there are things that happen in this life that
are beyond the bounds of rational explanation.
The singing voice stopped abruptly, as though perhaps
startled by itself, and was replaced by a dry, hoarse
giggle--a hideous, insane laughter--that erupted into a
cackle just as an invisible finger reached out, brushed
against the microphone, and pressed STOP.
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